Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Anonymous
Portrait of Duke Francis I of Pomerania on catafalque

ID: 96523

Anonymous Portrait of Duke Francis I of Pomerania on catafalque
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Anonymous Portrait of Duke Francis I of Pomerania on catafalque


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Anonymous

unknow artist  Related Paintings of Anonymous :. | Portrait of Margaret of Bavaria | Jahrhunderts in Art von Jan de Bray | Mestizo, Mestiza, Mestizo | Feldmarschall Erzherzog Karl in Uniform mit dem Grobkreuz des Militar | Isabella von Bourbon |
Related Artists:
Boulogne, Valentin de
French Baroque Era Painter, ca.1594-1632
MASTER of Saint Gilles
French Painter, active ca.1500
ALLORI Alessandro
Italian Mannerist Painter, 1535-1607 Born in Florence. After the death of his father in 1540 he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy. Freedburg derides Allori as derivative, claiming he illustrates "the ideal of Maniera by which art (and style) are generated out of pre-existing art." The polish of figures has an unnatural marble-like form as if he aimed for cold statuary. It can be said of late phase mannerist painting in Florence, that the city that had early breathed life into statuary with the works of masters like Donatello and Michelangelo, was still so awed by them that it petrified the poses of figures in painting. While by 1600 the Baroque elsewhere was beginning to give life to painted figures, Florence was painting two-dimensional statues. Furthermore, in general, with the exception of the Contra Maniera artists, it dared not stray from high themes or stray into high emotion.






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